1
/
of
2
Gregory Corso "Die on Me" LP
Gregory Corso "Die on Me" LP
Regular price
$ 24.99 USD
Regular price
Sale price
$ 24.99 USD
Taxes included.
Couldn't load pickup availability
Clear Vinyl.
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th).
For the first time ever on vinyl, ‘DIE ON ME’ has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso.
Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago writer Studs Terkel, discussing and reciting some of his most beloved poems. The recording process illuminates Corso’s thoughts on his own work in deeply revealing detail.
No other spoken-word LP shines a brighter light on its subject.
Marianne Faithfull playfully incites him to tell stories, and upon his request, graces him with her own recitations of his poems.
This LP is a unique compendium collecting the works of the single most underappreciated master of American poetry, produced by the late great Hal Willner.
Corso's closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”
Gregory Corso died on January 17th, 2001 at the age of 70, just a few days after many of these historic recordings were completed.
Corso’s ashes were laid to rest in Rome on May 5th, 2001 at the foot of Percy Bysshe Shelley’s grave in the Cimitero Acattolico. John Keats lay nearby.
Gregory Corso was both the youngest and one of the most prominent members of the Beat generation, alongside notable figures like Jack Kerouac and Allen Ginsberg. Born in 1930 in Greenwich VIllage, Corso survived a traumatic childhood which included orphanages, foster homes, reform school, prison and mental hospital experiences. It was during his prison term he was able to self-educate and develop a unique poetic style that combined classical language alongside the newer lexicons of modern verse.
He became involved with the Beat literary scene, meeting influential writers and traveling with them extensively. His first book of poetry, ‘The Vestal Lady on Brattle’ was published in 1955. His subsequent published output was sparse, as he would labour for years over a handful of poems.
His closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”
In the words of Hal Willner Excerpted from the original liner notes* (2002):
“Michael Minzer and I had been trying to produce a Gregory Corso album for years. For our series that featured Allen Ginsberg and William Burroughs, as well as Kathy Acker and Terry Southern, Gregory was someone we needed to include - besides, he was always my favorite poet to listen to. He had a wonderful, romantic, and beautiful voice; his readings never lost the sense of the unexpected and dangerous.” …
“Somehow the record that emerged is (in my opinion) incredibly beautiful, moving, sad—but not depressing, and often funny. Not to sound silly, but I felt that we had help with this record from some unknown source that guided and directed it. Just writing about how the record was made makes it even more amazing to me that it got done at all- and I’m very proud that it came together in this way. …”
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th).
For the first time ever on vinyl, ‘DIE ON ME’ has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso.
Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago writer Studs Terkel, discussing and reciting some of his most beloved poems. The recording process illuminates Corso’s thoughts on his own work in deeply revealing detail.
No other spoken-word LP shines a brighter light on its subject.
Marianne Faithfull playfully incites him to tell stories, and upon his request, graces him with her own recitations of his poems.
This LP is a unique compendium collecting the works of the single most underappreciated master of American poetry, produced by the late great Hal Willner.
Corso's closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”
Gregory Corso died on January 17th, 2001 at the age of 70, just a few days after many of these historic recordings were completed.
Corso’s ashes were laid to rest in Rome on May 5th, 2001 at the foot of Percy Bysshe Shelley’s grave in the Cimitero Acattolico. John Keats lay nearby.
Gregory Corso was both the youngest and one of the most prominent members of the Beat generation, alongside notable figures like Jack Kerouac and Allen Ginsberg. Born in 1930 in Greenwich VIllage, Corso survived a traumatic childhood which included orphanages, foster homes, reform school, prison and mental hospital experiences. It was during his prison term he was able to self-educate and develop a unique poetic style that combined classical language alongside the newer lexicons of modern verse.
He became involved with the Beat literary scene, meeting influential writers and traveling with them extensively. His first book of poetry, ‘The Vestal Lady on Brattle’ was published in 1955. His subsequent published output was sparse, as he would labour for years over a handful of poems.
His closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”
In the words of Hal Willner Excerpted from the original liner notes* (2002):
“Michael Minzer and I had been trying to produce a Gregory Corso album for years. For our series that featured Allen Ginsberg and William Burroughs, as well as Kathy Acker and Terry Southern, Gregory was someone we needed to include - besides, he was always my favorite poet to listen to. He had a wonderful, romantic, and beautiful voice; his readings never lost the sense of the unexpected and dangerous.” …
“Somehow the record that emerged is (in my opinion) incredibly beautiful, moving, sad—but not depressing, and often funny. Not to sound silly, but I felt that we had help with this record from some unknown source that guided and directed it. Just writing about how the record was made makes it even more amazing to me that it got done at all- and I’m very proud that it came together in this way. …”
Share
- Follow us on Instagram