The music of Portland musician Dewey Mahood exists in constant communion with nature. From acclaimed albums with heavy-psych mainstays Eternal Tapestry to his prolific solo excursions, Mahood’s work has always been defined by his restless exploratory spirit and reverence for the environment. As Plankton Wat, his expressionist compositions exude a supernatural grace and patience, reflecting the resplendent beauty and mythical energy of the West Coast’s wild places. Piece blossoms from low-lit, porchside ambience into powerful head-trips, ushering the listener through ravines of feedback and along warm currents of synthesizer drift to peaks of lysergic bliss. Mahood’s masterful and distinct guitarwork consistently blurs the confines of the instrument, at once texturally and melodically rich. Future Times elevates Mahood’s psychedelic instrumentals to new planes. Written to the backdrop of social unrest and climate change fueled fires, Mahood lays out a sprawling cinematic and psychedelic survey of a planet in crisis that weaves a path of hope through the darkness.
Recorded in the Spring of 2020, with most of the United States sheltering in place, Future Times began as a meditation on the times. With the optimism of Spring and the promise of Summer replaced by anxiety about the future, music became an important means of processing difficult emotions and connecting with the outside world. Mahood developed pieces created with musical partner Dustin Dybvig and engineer/producer Victor Nash, transmuting the expansive energy of the live improvisations into lean guitar, bass and keyboards compositions. Pieces were then passed to Dybvig and Nash who fleshed out Mahood’s initial compositions with lustrous layers of synthesiser and subtle studio effects. Future Times transforms Plantkon Wat from a purely solo project into a virtual ensemble, itself a testament to art’s power to transcend physical and social boundaries.
New Arrival
New Arrival
