{"title":"New Vinyl and CDs: Post Punk","description":"\u003cp\u003eShop post-punk vinyl records and CDs, including new releases, reissues, limited pressings, LPs, CDs, and underground releases from classic and modern post-punk artists.\u003c\/p\u003e","products":[{"product_id":"the-cure-pillbox-tales-lp","title":"Cure, The \"Pillbox Tales\" LP","description":"\u003cp\u003e\u003cspan\u003ePurple vinyl!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA collection of early demos from when the band was called Easy Cure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOur restock has a different cover. 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Their melodies – energetic and captivating – venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Men” is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. 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If the lavish orchestral arrangements and cinematic scope of 'All Mirrors' are the sound of Olsen preparing her scars for the wider world to see, 'Whole New Mess' is the sound of her first figuring out their shape, making sense for herself of these injuries.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":33056876396624,"sku":"amsdrop","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/jag354.ao.wnm.lp.fc.3000.jpg?v=1606334654"},{"product_id":"hekate-days-of-wrath-lp","title":"Hekate \"Days of Wrath\" LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt’s not surprising that Hekátē chose their name after the ancient Greek goddess Hekate, the deity of the underworld, witchcraft, nighttime and crossroads. Hekátē are four women coming from different paths, all of which converged in the Spring of 2018, and met at the great crossroad of Athens’ eternal night. Their music is multi-referential, an explosive mix of their magic potions. The heavy, melodic bass establishes the base of their post-punk sound. The drums derail it where necessary. The synths, more electric than electronic, can be heard distinctly, at times leaning towards a smarter New Wave but also giving a wink at garage rock. The vocals sound like an enraged, rhythmic recital tightroping along the melody. As a result, their eight tracks move along a scale, starting with melancholic, urban hymns and ending in anxious, frenzied chases, all tied together with a ceremonial atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3292188711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lavidaesunmus.bandcamp.com\/album\/days-of-wrath\"\u003eΜέρες Οργής | Days of Wrath by Hekàtē\u003c\/a\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe record title, Days of Wrath, is a translation of the Medieval hymn “Dies Irae,” which warns of God’s wrath, which will come down on the people during the Second Coming. 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These versions should be considered Wire’s classic 1970s albums, pure and undiluted.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1978’s Chairs Missing represented perhaps the biggest conceptual leap made during this period of Wire and was widely misunderstood at the time yet it remains, to the band and production crew Wire’s favorite ’70s album. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, Chairs Missing proposed something more radical, a definite futurism with much less influence from it’s antecedents. 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Today Joy Division are seen as one of the most influential bands of the late 1970s.\u003c\/p\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":33142526378064,"sku":"amsdrop","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/unknow_01facc80-eeb8-4cbd-aa20-ca3309d3a55a.jpg?v=1609808220"},{"product_id":"joy-division-closer-lp-1","title":"Joy Division \"Closer\" LP","description":"\u003cp\u003e180 gram vinyl pressing. \u003c\/p\u003e","brand":"London","offers":[{"title":"Default Title","offer_id":33142526607440,"sku":"amsdrop","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/jd_closer_b6a5c000-165e-421c-9d4b-1b2cf8d26964.jpg?v=1609808308"},{"product_id":"molchat-doma-monument-lp","title":"Molchat Doma \"Monument\" LP","description":"Monument is a fitting title for the third album by Belarusian trio Molchat Doma. 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For their debut as a duo, Buford and Jones blend bracing and imaginative takes on rhythmic-centric forms from dub, breakbeats, hip hop and beyond for a phantasmagoria of bristling drumscapes.\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3240923952\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manslaughter777.bandcamp.com\/album\/world-vision-perfect-harmony\"\u003eWorld Vision Perfect Harmony by MANSLAUGHTER 777\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eManslaughter 777 pulls together a vast array of disparate percussive traditions and patterns into a veil of dark, propulsive energy. Recorded and mixed by Seth Manchester at Machines With Magnets, the album’s mélange of live and sampled beats fizzle, splat and rupture with an edge. 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Post-punk, post-industrial, post-apocalyptic and post-everything else, if tracks like ‘Cuntworms’ and ‘Blow’ don’t get you hyped we don’t know what will.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor fans of Suicide, Powell, Giant Swan.","brand":"Veyl","offers":[{"title":"Default Title","offer_id":39747232399440,"sku":"","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/EmpireState.jpg?v=1651886626"},{"product_id":"december-a-hundred-years-without-you-lp","title":"December \"A Hundred Years Without You\" LP","description":"\u003cp\u003eGerman import.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis record is about absence. Absence of change, of better days, of delights and pleasures that are still to be invented. Longing for better times, missing something that hasn’t happened yet but needs to come, being nostalgic of the future like a cold empty bed longs for warm bodies. Cause the present is resisting, holding on to the comfortable violence of the status quo, closing the castle’s gates ; trying to keep its land, its power and its crown. We can already feel the breeze of the unknown, the urge of better times slowly unfolding, the flames getting stronger. 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A powerful testament to the irrepressible power of music, this memoir celebrates the rebellious youthfulness of the artists in the Soviet underground music scene and reveals the lengths they went to to share that spirit with the rest of the world.\u003cbr\u003e","brand":"Doppelhouse Press","offers":[{"title":"Default Title","offer_id":39754926784592,"sku":"microcosm","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/redwave_lg.jpg?v=1652621956"},{"product_id":"talking-heads-77-lp","title":"Talking Heads \"77\" LP","description":"Among the most adventuresome bands in rock history, the Talking Heads drew from funk, minimalism, and African and Brazilian music in promulgating a new sound that was both visionary and visceral. 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Singer Ross Farrar explains their chemistry succinctly: “We all got in a room and this is what came out.” Viv is named for a precursor project of bassist Cody Sullivan and violinist Victoria Skudlarek, but also alludes to broader notions of vividness, sonic, visual, and otherwise. Engineered by Jack Shirley and mixed\/mastered by Sam Pura in Oakland, the mix achieves that rare balance of every element being elevated but distinct, with voices, strings, and drums each given space to blaze parallel paths.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpener “Recovery” captures SPICE at their stormy, weathered best, booming drums and East Bay riffs skidding out in a rockslide of rapture, regret, and bruised melody (“You sacrifice perfect days to laugh through the night \/ you have to get out of bed \/ and it’s hard \/ and it’s hard \/ it’s so hard to admit”), peaking in Ian Simpson’s poignant single-note vibrato guitar solo; Farrar agrees: “The guitar says what we cannot.” Other tracks embrace the group’s shredded pop potential (“Any Day Now,” “Dining Out,” “Live Scene”) and their speedway ripper mode (“Threnody”), with detours into oblique instrumentals (“Melody Drive”) and orchestral balladeering (“Ashes In The Birdbath”).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut what unites and ignites these songs across different energies and arrangements is their specific sense of emotion. Rawness refined into reckonings, approaching truth, born of cold mornings, bad luck, and too many wrong turns. Waking up where you’re not supposed to be, living a life you don’t recognize. The album ends with no end to its narrative, still fighting, still slipping. 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With 'Tired Of Tomorrow', NOTHING have worked the deepest influences of their youth and maturation into a confident, memorable album that is sure to soothe old wounds while simultaneously opening up new ones.\u003cbr\u003e\u003c\/p\u003e","brand":"Relapse","offers":[{"title":"Default Title","offer_id":39796434305104,"sku":"amsdrop","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/nothingtired.jpg?v=1657021900"},{"product_id":"pamirt-mausoleum-lp","title":"Pamirt \"Mausoleum\" LP","description":"\u003cp\u003eRed Vinyl!\u003cbr\u003e\u003cbr\u003ePamirt is a dark music trio from Baltics that brings together musicians Kristiana Karklina (voice, piano), Edvards Percevs (drums) and Edgars Gultnieks (guitar, bass) previously known for their work with black metal act eschatos. This collaboration started as a solo project of Kristiana, but soon after Edgars and Edvards joined to add guitar textures and rhythm. Most part of this album was composed while residing in Berlin in fall of 2018 where Kristiana goes often to work on music.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1360811492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/tartarusrecords.com\/album\/mausoleum\"\u003eMausoleum by Pamirt\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was a new experience for me to have the control over all artistic decisions while making this record over a period of almost 2 years. My academic background is in art history so visual arts also play a great role in making of this record. About a month before the world entered the state of global health crisis, we created album art for Mausoleum. 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Needless to say that we could not even imagine how prophetic this work will be,” says Kristiana.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFFO: Lingua Ignota, Chelsea Wolfe, Jarboe, Anna von Hausswolff\u003c\/p\u003e","brand":"Tartarus","offers":[{"title":"Default Title","offer_id":39796634976336,"sku":"","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/pam.jpg?v=1657028963"},{"product_id":"david-grubbs-and-jan-st-werner-translation-from-unspecified-lp","title":"David Grubbs and Jan St. Werner \"Translation from Unspecified\" LP","description":"\u003cp\u003eAfter years of exchanging ideas, Translation from Unspecified marks David Grubbs and Jan St. Werner's studio debut locking horns as a duo. Evolving from a microscopically disordered set of sounds and words into a reconstituted monolith of sound, it's clear this deck-clearing collaboration was long overdue.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDavid Grubbs and Jan St. Werner met in the mid-1990s when Grubbs was playing with Gastr del Sol and the Red Krayola and St. Werner in Mouse on Mars and Microstoria. After years of exchanging ideas, Translation from Unspecified marks their first time locking horns as a duo, and it’s clear this deck-clearing collaboration was long overdue. In January 2020 Grubbs arrived at Mouse on Mars’ Berlin studio Paraverse with a guitar and “Translation from Unspecified,” an open-ended, seemingly self-generating poem suggesting AI, one of the themes in St. Werner’s recent work. This became the side-length title track, a winding corridor of electronic fanfares and spontaneous musical miniatures urging Grubbs’s slow and steady recitation to grow wings and graduate into song. Who knows where this idiosyncratic mise-en-scène—day-glo, extrovert electronics and task-oriented human—came from? Reference points, distant ones, might include Robert Ashley and Paul De Marinis’s “In Sara, Mencken, Christ and Beethoven...” and the sound poetry of Anton Bruhin. Flip the record and you have “Soixante Ooze,” a live-in-the-studio duo for guitar and computer more recognizably St. Wernerian and Grubbs-like that reconfigures elements of the title track before finally morphing into needle-pinning monoliths of sound.\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":39842718515280,"sku":"","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/dav.jpg?v=1659617393"},{"product_id":"cure-faith-demos-lp","title":"Cure \"Faith Demos\" LP","description":"Limited Reissue\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1 Faith (RS Home Instrumental Demo 8\/80) 2:56\u003cbr data-mce-fragment=\"1\"\u003e2 Doubt (RS Home Instrumental Demo 8\/80) 1:09\u003cbr data-mce-fragment=\"1\"\u003e3 Drowning (Group Home Instrumental Demo 9\/80) 1:52\u003cbr data-mce-fragment=\"1\"\u003e4 The Holy Hour (Group Home Instrumental Demo 9\/80) 4:48\u003cbr data-mce-fragment=\"1\"\u003e5 Primary (Morgan Studio Out-take 9\/80) 4:22\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e6 Going Home Time (Morgan Studio Guide Vox Out-take 9\/80) 3:31\u003cbr data-mce-fragment=\"1\"\u003e7 The Violin Song (Faith Studio Guide Vox Out-take 2\/81) 3:38\u003cbr data-mce-fragment=\"1\"\u003e8 A Normal Story (Faith Studio Guide Vox Out-take 2\/81) 3:04\u003cbr data-mce-fragment=\"1\"\u003e9 Charlotte Sometimes (Single version 10\/81) 4:13","brand":"Limited Reissue","offers":[{"title":"Default Title","offer_id":40300689457232,"sku":"sonardrop","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/faith_246aa1b1-73d5-42a7-aae7-1ff7ba873288.jpg?v=1695227354"},{"product_id":"le-almeida-aulas-lp","title":"Le Almeida \"Aulas\" LP","description":"\u003cp\u003eIn the middle of the pandemic I realized a lot of things, the biggest of them was that I had had some kind of great luck lately. 2019 was the first year that I spent almost all of it away from home, in countries that I couldn’t even speak the language, it was an incredible and challenging experience, it was hard to come back the same, even more after being part of a band that I always loved, this is still a dream. On our way home in 2019, Casaes and I had our flight delayed because of a blizzard for another day and we missed Christmas in Brazil. I was chosen as my mother’s secret santa at the backyard Christmas party here at home, I missed it, but Leticia made a video of her giving clues before opening the present while I flew home on Christmas night. I keep the gift with a lot of affection, it’s a picture frame with a picture of us on my birthday in 2019.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1456167202\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lealmeida.bandcamp.com\/album\/aulas\"\u003eAulas by Lê Almeida\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eOn March 13, 2020 we reopened Escritório after a renovation, it was a Friday, it had been two years since we had lost my father. It was this weekend that everything closed with the pandemic and I felt what was happening, I stayed home for a long time, my grandmother at that time said that my mother was very calm because I was home. I started to ride my bike every morning around the neighborhood and started to take some analogical pictures of landscapes. In May, exactly on mother’s say, my mother had a fall at home, it was the rupture of an aneurysm, we lost her in a very sad way, me and Leticia went through an immense suffocation with the hospital, with people who did not care that our mother was dying, we did everything. She was my sun, she guided the greatest balance.\u003cbr\u003e\u003cbr\u003eWe always had some big symbologies at home with dates, birthdays. After our parents went through those dates that were theirs and ours I think it became more difficult, even distressing. Between my birthday and my mother’s (jul\/aug) date I started to create some routine of recording, trying to put together a record, find friends at Escritório to record, Bigú was coming back, a lot of things on my mind. I went back to recording at home, in a house that was still new to me and with a window where I can always see the moon, almost framed by the window so well fitted. I took care of the car that was my mother’s, that my father drove. In it I listened to my mixes of what I was recording, I reconnected with the neighborhood, this car always had an incredible vibration, we always appreciated it, my mother paid for it with the convenience store that she had in front of the house where we lived. I always had the best reference of autonomous work inside the house, getting organized. Aulas made me reorganize in a strange moment, during my routine of recordings I resumed some works at home.\u003cbr\u003e\u003cbr\u003eSome tracks were things I had started and dropped, I started from this point and the new things I recorded very fast without thinking so much, in this situation I started to record more carefully on the timbres on what would otherwise just a sketch. This all made me put something out. The goal was to release at Christmas because of our affection, his birthday, without him. I can think of many moments in several tracks that I recorded thinking and feeling a strength of the two, who always supported me a lot in this path so uncertain and crazy. While recording I started to explore two instruments I had bought from a widow in Boise, USA where Casaes and I lived for a month, a metalophone and a theremin. The connection with death in that period made me connect some things, thinking with value that I was using something with affection and care what was of someone who took care for so long would perhaps bring only good energy. I got some very old amps in a pawn shop in the center where the owner of the place had told me that the amps were from a gentleman of some ninety years old and a few years who had died recently. I used one of these amps a lot on the record and during some mixes of inserts and collages I reopened some old boxes of tape that Joãozin and I had found years ago on a sidewalk in the neighborhood of Flamengo, they were tapes about occultism, esotericism, poetry, meditation. All with many notes, there I discovered that these tapes were of a woman, some with her poems, declared by her. I’ve been taking some of these tapes since we found them, but there are so many boxes of tapes that I’ll have to discover and travel little by little.\u003cbr\u003e\u003cbr\u003eAulas is dedicated to my parents Antonio Carlos and Sonia Maria, the first thing I do without them. It is also dedicated to my sister Leticia \u0026lt;3 (who plays the metalophone on the first track!) and my Grandma Lena, who helped me with the cover, the seams and life over the years. I love you\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"IFB Records","offers":[{"title":"Default Title","offer_id":40318624301136,"sku":"ifb","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/aulas.jpg?v=1696422294"},{"product_id":"orua-ingreme-lp","title":"Orua \"Ingreme\" LP","description":"\u003cp\u003eOruã nasceu no centro do Rio de Janeiro no fim de 2016, virando a esquina do golpe parlamentar que encerrou pra muita gente alguma crença na nossa democracia. Gravações em fitas cassetes velhas feitas na sala apertada do Escritório no meio da cidade renderam dois discos e um EP muito representativos da atmosfera que pairava no final da última década: “Sem Benção \/ Sem Crença” (2017), “Romã” (2019), e o EP “Tudo Posso” (2019) foram todos lançados no Brasil via Transfusão Noise Records e nos EUA via IFB Records.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=270775869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/orua.bandcamp.com\/album\/ngreme\"\u003eÍngreme by Oruã\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEm 2018, ano de eleição e da greve dos caminhoneiros, o Oruã cruzou o país e atravessou fronteiras. Através de um número grande de cidades, capitais e do interior, a banda viajou para fora do Rio de Janeiro mais intensamente, para além do habitual eixo Rio-São Paulo. Pegando a BR-101 chegaram à Natal, cortaram a Bahia e depois, desceram, até ao Uruguai percorrendo também o sul do país. Nessa viagem de carro emprestado, “Romã” estava sendo gestado.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo ano seguinte, em 2019, Oruã fez a sua a primeira turnê pelos Estados Unidos e pela Europa, abrindo os shows do Built to Spill. Logo em seguida, ao mesmo tempo que Oruã saía do palco, dois terços da banda carioca, Lê Almeida e João Luiz, retornavam ao “stage” para compor a versão brasileira de Built to Spill junto com João Casaes (hoje, em 2021, Casaes integra a composição mais recente do Oruã).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNa sequência, em meados de 2019, faltando menos de um ano para o futuro decreto mundial da pandemia, sem nem sonhar com o isolamento social que aconteceria, Oruã entra em sua segunda turnê internacional, a primeira pela Europa, tocando em casas de shows como a O2 Forum, em Londres, e o Rockefeller Music Hall, em Oslo, emendando em seguida com uma segunda tour pelos EUA totalizando em aproximadamente 70 shows feitos até o meio daquele ano. No segundo semestre, Lê, João Luiz e J.C. seguiram o restante da turnê do Built to Spill pelos EUA tocando somente na banda norte-americana até o fim do ano.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNesse período, o baterista Phill Fernandes deixava o Oruã. Karin Santa Rosa (que já tinha registrado duas grandes tours de carro do Oruã: uma para o Nordeste e outra para o Sul do país) passou a fazer parte da banda enquanto Lê, Casaes e João Luiz ainda estavam na estrada com o Built to Spill. Ela, que ainda não tocava de fato bateria, passou um tempo praticando para compor a versão mais recente do Oruã que contaria com duas baterias, como no início. Depois do fim da tour do BTS, de 2019, João Luiz também deixa o Oruã e volta para o Brasil. Lê e J.C. ficam em Boise (EUA) gravando o novo álbum do Built to Spill e, em paralelo, começam a desenvolver um novo Oruã.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"IFB Records","offers":[{"title":"Default Title","offer_id":40318625382480,"sku":"ifb","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/orua_d154dc12-f5e2-4cd4-b4af-ba0104b164e3.jpg?v=1696422636"},{"product_id":"siouxsie-and-the-banshees-polydor-and-warner-chappell-demos-lp","title":"Siouxsie And The Banshees \"Polydor and Warner Chappell Demos\" LP","description":"Following the departure of McKay and Morris, the band regrouped and redirected their sound for their third record. Departing from their previous work, the Banshees incorporated synthesizers and drum machines for the first time. They particularly experimented in electronic music on a couple of tracks.","brand":"Estudio Estrano","offers":[{"title":"Default Title","offer_id":40369528111184,"sku":"sonardrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/previewfront1980demos.jpg?v=1699404167"},{"product_id":"siouxsie-and-the-banshees-1977-1978-demos-lp","title":"Siouxsie And The Banshees \"1977-1978 Demos\" LP","description":"A rougher and rawer Banshees sound before Steve Lillywhite’s production touch and ‘space’…","brand":"Estudio Estrano","offers":[{"title":"Default Title","offer_id":40369528307792,"sku":"sonardrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/previewfront77-78demos.jpg?v=1699404228"},{"product_id":"sisters-of-mercy-demos-and-rarities-vol-1-lp","title":"Sisters of Mercy \"Demos and Rarities Vol. 1\" LP","description":"\u003cul\u003e\n\u003cli\u003eRare 1984 demos and instrumentals from the goth rock architects - including early versions of \"Walk Away,\" \"No Time to Cry,\" \"Black Planet,\" and \"Temple of Love\"\u003c\/li\u003e\n\u003cli\u003eLimited reissue; an essential document for anyone serious about the Sisters' catalog\u003c\/li\u003e\n\u003cli\u003eFor fans of: Bauhaus, The Cure, Fields of the Nephilim, Christian Death, Siouxsie and the Banshees\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hermana Muerte","offers":[{"title":"Black Vinyl","offer_id":40409926697040,"sku":"Sonardrop","price":23.99,"currency_code":"USD","in_stock":true},{"title":"Green Vinyl","offer_id":40409926729808,"sku":"Sonardrop","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/sisterofMdemosvol1_1024x1024_2x_e07f3d63-9eae-4b74-b160-73741e32bc2a.webp?v=1701824239"},{"product_id":"sisters-of-mercy-demos-and-rarities-vol-2-lp","title":"Sisters of Mercy \"Demos and Rarities Vol. 2\" LP","description":"NEW LP\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLimited Reissue\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Sister of Mercy rarities and Demos Vol 2 LP\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Train 7:00 demo 1984\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Floorshow 3:15 demo 1981\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Marian 3:39 demo 1985 listed as \"Marian\", but it is a demo of \"Red Skies Disappear\", an early version of \"First And Last And Always\" with different lyrics)\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Kiss The Carpet 5:27 demo 1984\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Garden Of Delight 5:11 demo 1985 later be recorded by The Mission.\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Jolene demo1982 Written By – Dolly Parton 2:44\u003cbr data-mce-fragment=\"1\"\u003eThe Sisters Of Mercy– Ghost Rider Written By – Suicide 7:27 live 1985o version","brand":"Hermana Muerte","offers":[{"title":"Black Vinyl","offer_id":40409930104912,"sku":"Sonardrop","price":23.99,"currency_code":"USD","in_stock":true},{"title":"Red Vinyl","offer_id":40409930137680,"sku":"Sonardrop","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/sisterofMdemosvol2.webp?v=1701824381"},{"product_id":"smith-patti-join-me-for-a-ride-penns-landing-philadelphia-lp","title":"Smith, Patti \"Join Me For A Ride: Penn's Landing, Philadelphia\" LP","description":"\u003cp\u003eJoin Me For A Ride: Penn's Landing, Philadelphia, Pa, Sep 5th 1977 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn iconic and celebrated artist whose cultural standing in America remains resolute and heavily influential. 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We’re very proud of what we’re able to accomplish and the ground we were able to cover with these three songs.”","brand":"Tiger Records","offers":[{"title":"Default Title","offer_id":40440599019600,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/Slow_Fire_Pistol_Radiant_3000x3000_72dpi.jpg?v=1704748572"},{"product_id":"horror-vacui-s-t-7","title":"Horror Vacui \"s\/t\" 7\"","description":"Clear Purple vinyl!\u003cbr\u003e\u003cbr\u003eHorror Vacui are back with a long awaited new release. Their unique blend of death rock and post punk needs no further introduction: with 4 records, countless releases and tours worldwide, the unstoppable 5 pieces painted the underground world in dark shadows during their decade of existence. A recent line up change (that now sees former guitar player Marzia on drums) and two brand new songs that will make you ask for more. A tasty prelude to the long awaited new full length! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e","brand":"Agipunk","offers":[{"title":"Default Title","offer_id":40468761706576,"sku":"sonardrop","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/hor_f7413338-6ea3-467d-98d6-2ef8853df52f.jpg?v=1706199072"},{"product_id":"drab-majesty-an-object-in-motion-lp","title":"Drab Majesty \"An Object in Motion\" LP","description":"Green in blue color vinyl!\u003cbr\u003e\u003cbr\u003eThe latest 32-minute EP from Drab Majesty marks the start of a stirring new chapter in the band’s majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into “flow states,” letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive, Mojave 3), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\u003cbr\u003e\u003cbr\u003e\"Cape Perpetua\" kicks off the collection’s divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. \"The Skin And The Glove\" deploys jangle to different effect – baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, \"Vanity,\" infusing poetic gravity to the doomed refrain: “If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.”\u003cbr\u003e\u003cbr\u003e\"Yield To Force\", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. 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