{"title":"New Vinyl and CDs: Jazz \/ Soul \/ Blues","description":"\u003cp\u003eShop jazz, soul, and blues vinyl records and CDs, including new releases, reissues, limited pressings, LPs, CDs, and essential records from classic and modern artists.\u003c\/p\u003e","products":[{"product_id":"eddie-and-ernie-time-waits-for-no-one-lp","title":"Eddie And Ernie \"Time Waits For No One\" LP","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe first ever vinyl LP compilation of songs by the great Eddie and Ernie! The duo produced tons of great singles throughout the 60's and early 70's. This LP features a couple dance numbers, but mostly slow dramatic soul ballads reminiscent of the best moments of more well known acts like Sam and Dave and Otis Redding. Some pretty eerie soaring vocals and existential lyrics of the highest order. Under appreciated in their time, Eddie and Ernie are two of soul musics greatest talents! Old school \"tip on\" record cover and classy black inner sleeve.\u003c\/span\u003e","brand":"Mississippi","offers":[{"title":"Default Title","offer_id":32955557314640,"sku":"amsdrop","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/edie.jpg?v=1603294535"},{"product_id":"durand-jones-and-the-indications-self-titled-lp","title":"Durand Jones and The Indications \"S\/T\" LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"My grandma always heard me singing at home, and she said, ‘I’m gonna put your ass in the youth choir,’” remembers Durand Jones. “I was reluctant. But one day the organist could hear me in the choir, and said ‘boy I’m gonna give you a song.’ So I sang the song… the whole church just flipped out. People were running and jumping and afterwards they were giving me money and stuff. Man it was really cool. That’s when the realization came that maybe I could make something of this.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the fall of 2012, Durand Jones left his small-town in Louisiana for the foothills of Indiana. Alto saxophone in tow he enrolled in the Jacobs School of Music at Indiana University. “Being a singer was never part of the plan,” Jones admits. But soon enough he found his way in front of a rowdy rock-n-roll band belting out a rambunctious rendition of “Dock Of The Bay,” to a basement full of drunken undergrads. That rowdy band unfolded into The Indications—comprised of Aaron Frazer (drums), Blake Rhein (guitar), Kyle Houpt (bass) and Justin Hubler (organ). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by a handful of dusty and obscure 45s bearing names like The Ethics, Brothers of Soul and The Icemen, The Indications set out to make a record steeped in heavy drums, blown-out vocals\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, and deep grooves. Gathered around a Tascam 4-track cassette recorder and a case of Miller High-Life, the group spent their Sunday evenings recording into the early hours of the morning. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDurand Jones \u0026amp; The Indications' self-titled debut album was the result. With comparisons from Charles Bradley and Lee Fields to Al Green, the only thing that separates this band from those greats is their youth. Having now taken their raucous live show all across the US, the band have galvanized a following that are ready to take them to the next level.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":32986246086736,"sku":"amsdrop","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/durst.jpg?v=1604331047"},{"product_id":"legendary-beyons-the-s-t-lp","title":"Legendary Beyons, The \"s\/t\" LP","description":"\u003cp data-mce-fragment=\"1\" class=\"\"\u003eAs with The Gangsters LP in 2018, Albina Music Trust now returns with another buried treasure from Portland’s past: the first ever release of this 1977 album by soul\/funk group The Legendary Beyons.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eFor over fifty years, The Legendary Beyons have delighted Portlanders with their music. And now, for the first time, their work has been documented in this high fidelity LP accompanied by a detailed oral history of the group. The album’s well-designed booklet features a wide range of archival photography, serving as a period piece for the uninitiated.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eOn the cover of this previously unreleased 1977 album, there’s an image that tells you nearly everything you need to know: four Black men, resplendent in custom-tailored suits, are working it with synchronized steps before the rushing falls of Portland’s Fourcourt Fountain. In their joyous faces is written a brotherhood that began when this core of singers—Jeddy Beasley, Thurtis Channel, James Tims, and Ira Hammon—endeavored to harmonize as The Legendary Beyons. The group’s presence in this image reveals the richness of their soulful, Motown-inspired vocal sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThese songs are the culmination of a story that began when these young men began singing in the locker room after basketball games at Jefferson High School. As their reputation grew, The Beyons––with the help of a crack backing band featuring arranger Dan Brewster and The Soul Masters––aspired for greatness in Albina’s club scene. A litany of touring acts on the Chitlin Circuit stopped through the area, performing side-by-side with The Beyons: The Whispers, Bloodstone, Blue Magic…the list is deep. But without a local recording industry or sustainable income for gigging Black musicians, The Beyons never released a recording in their heyday.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis session represents a seasoned group roughly a decade into their career. It is their only 20th-century recording that has survived. These songs, ranging from the jazzed “Dreaming You In My Mind” to the quiet storm of sweet soul ballad “There We Were, Here We Are,” spotlight the group’s tightly knit harmonies––pleading, sensual, playful, and romantic. Meanwhile, album single “Love Notes” comes as a burst of energy and “Let’s Talk About Love” begets a cosmic intro calling upon Greek philosophers Plato and Aristotle to assist in sharing the band’s take on a topic called L-O-V-E.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eTo put it simply: put this record on and look inside the jacket. There is a booklet with classic photography and an oral history that provides not only a snapshot of this great group but a well-portioned inquiry into the experiences of Portland’s Black musician community in historic Albina––a truly unique project from Albina Music Trust.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003ca href=\"https:\/\/light-in-the-attic.s3.amazonaws.com\/samples\/23015\/1._Love_Notes_Sample_sample.mp3?X-Amz-Expires=172800\u0026amp;X-Amz-Date=20201112T143513Z\u0026amp;X-Amz-Algorithm=AWS4-HMAC-SHA256\u0026amp;X-Amz-Credential=1SFJMJEJW28052436C02\/20201112\/us-east-1\/s3\/aws4_request\u0026amp;X-Amz-SignedHeaders=host\u0026amp;X-Amz-Signature=e05bc50f68d106bdc9c7c60afe2b6f14068c551205d577a6378521b198ccca0a\" target=\"_blank\" title=\"Listen here!\" rel=\"noopener noreferrer\"\u003eListen here! \u003c\/a\u003e\u003c\/p\u003e","brand":"Albina Music Trust","offers":[{"title":"Default Title","offer_id":33009913757776,"sku":"","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/legendary.jpg?v=1605191801"},{"product_id":"etta-james-rocks-the-house-lp","title":"Etta James \"Rocks the House\" LP","description":"\u003cp\u003eColor vinyl!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBest known for the lush 1961 rendition of the ballad “At Last” – a slow-dance staple at wedding celebrations everywhere, she also is celebrated for having recorded one of the best live albums of all time, “Rocks the House.” Recorded in 1963 at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer, are firmly established in this recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jackpot","offers":[{"title":"Default Title","offer_id":33101143736400,"sku":"","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/etta.jpg?v=1607910155"},{"product_id":"coltrane-john-giant-steps-lp-1","title":"Coltrane, John \"Giant Steps\" LP","description":"In 1960, the hugely innovative Coltrane was taking some giant steps of his own - this was the first recording of an entirely Trane-penned set and it achieved the stunning emotional intensity for which his live work was renowned...","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":39429890506832,"sku":"amsdrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/johnc.jpg?v=1623077580"},{"product_id":"abner-jay-i-dont-have-time-to-lie-to-you-lp","title":"Abner Jay \"I Don't Have Time To Lie To You\" LP","description":"“Abner Jay is the most unusual talent in the world. A true Southerner from South G.A. He was raised layin on his belly, drinkin water from the ol Swaunee River. Jay claims the secret for his good health and being the father of sixteen young’uns, and gonna git some more, layin on his belly drinkin water from that ol Swaunee. Abner still go to the Swaunee River every Sunday, and lay down on his belly. Abner is twenty five years older than you think.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Abner Jay\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStunning one-man band tunes from one of the United States’ great unsung artists. Rare and previously unreleased tracks from Abner’s vast catalog of home recordings, showcasing some of his most haunting and powerful vocal performances on revelatory new renditions of classics like “I’m So Depressed” and “Ol Man River.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA truly independent artist who performed at swap meets and fairs out of his custom converted trailer, Abner Jay traveled the United States from the 1930s until his passing in 1993. Told with his characteristic blend of humor and pathos, I Don’t Have Time To Lie To You is an unsparing take on the country Abner knew so well, and possibly the best full album of his music to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLicensed from Brandie Records and Abner’s family, 160g black vinyl comes in heavy old-style tip-on jacket.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. I’m So Depressed\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e02. Plum Nelly\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e03. Ol Man River\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e04. My Baby Is Coming Back To Me\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Shenandoah\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e02. 99 Years In Jail\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e03. Hard Working Man\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e04. Woke Up This Morning\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e05. The Love Wheel","brand":"Mississippi","offers":[{"title":"Default Title","offer_id":39614438572112,"sku":"amsdrop","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/Idont.jpg?v=1639060063"},{"product_id":"sunny-murray-an-even-break-lp","title":"Sunny Murray \"An Even Break\" LP","description":"Recorded in 1969, this is one of three albums to feature drummer Sunny Murray as a leader in 1969. Issued on the French Actuel label, it showcases Murray's brand of fiery, spiritual free jazz grooveology with sidemen Malachi Favors of the Art Ensemble of Chicago , veteran saxophonist Byard Lancaster, and flutist and saxophonist Kenneth Terroade. Less than half an hour in length, it features four mid-length performances that amount to free jazz improvisation.","brand":"BYG","offers":[{"title":"Default Title","offer_id":39620344578128,"sku":"","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/an-even-break-180-gram.jpg?v=1639966030"},{"product_id":"trovajoli-jazz-piano-lp","title":"Trovajoli \"Jazz Piano\" LP","description":"A reissue of Trovajoli Jazz Piano, originally released in 1959. More famous for his great film music works than for his jazz piano playing, composer, and orchestra conductor, Armando Trovajoli was in fact one of the very first musicians to carry the standard of jazz in Italy. Originally released on Italian RCA in 1959, Trovajoli Jazz Piano was his first official jazz album and today after 60 years from its release it still stands as an important proof of an early Italian approach to jazz. This is a fine session based on a perfect mixture of all-time favorite jazz standards, among them: \"These Foolish Things\" and \"Round Midnight\", and some highly sophisticated renditions of Broadway musical themes, such as \"Have You Met Miss Jones?\"","brand":"Down at Dawn","offers":[{"title":"Default Title","offer_id":39664781819984,"sku":"sonarize","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/DAD134LP_PROD.jpg?v=1644940619"},{"product_id":"winehouse-amy-back-to-reggae-frank-lp","title":"Winehouse, Amy \"Back to Reggae Frank\" LP","description":"\u003cul\u003e\n\u003cli\u003eRoot reggae remixes of Amy Winehouse's most iconic tracks - \"Rehab,\" \"Back to Black,\" \"Valerie,\" and more reimagined through a reggae lens\u003c\/li\u003e\n\u003cli\u003eNot the ska collection; this is a full reggae treatment across 10 of her best-known songs\u003c\/li\u003e\n\u003cli\u003eFor fans of: Amy Winehouse, Toots and the Maytals, Sharon Jones, Duffy, Lily Allen\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Discomania","offers":[{"title":"Default Title","offer_id":40300688900176,"sku":"sonardrop","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/amy.webp?v=1695227189"},{"product_id":"diamanda-galas-with-john-paul-jones-the-sporting-life-lp","title":"Diamanda Galas with John Paul Jones \"The Sporting Life\" LP","description":"John Paul Jones and Diamanda Galás crumble the little gingerbread house of rock illusions with their collaborative album, The Sporting Life , detonating all the overplayed crap we've become accustomed to—the bland bass\/drum rhythms, the singer hooting oooh baby baby, the guitar and its obligatory solo wheeze","brand":"Estudio Estrano","offers":[{"title":"Default Title","offer_id":40369515266128,"sku":"sonardrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/BP6612_preview.png?v=1699402634"},{"product_id":"coleman-ornette-change-of-the-century-lp","title":"Coleman, Ornette \"Change of the Century\" LP","description":"\u003cbr data-mce-fragment=\"1\"\u003eSaxophonist Ornette Coleman was more than just a major force in the free jazz movement. In fact, the term was coined by the album of the same name released by his quartet in 1961, his guiding ethos the erasure of fixed structures via improvisation. Released in 1960, Change Of The Century is one of the ground-breaking albums Coleman cut for Atlantic with bassist Charlie Haden, drummer Billy Higgins, and trumpeter Don Cherry, which made a significant impact on the future direction of jazz. Relying on intuition, their musical chemistry and overriding openness, Coleman \u0026amp; Co. here conjure some of the greatest work of his career.","brand":"Destination Moon","offers":[{"title":"Default Title","offer_id":40483435085904,"sku":"radiation","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/ornette_a0f4cbfd-8eae-48ad-940b-b9c220c8405e.jpg?v=1707536386"},{"product_id":"nina-simone-little-girl-blue-lp","title":"Nina Simone \"Little Girl Blue\" LP","description":"\u003cdiv\u003e\u003cspan\u003eLittle Girl Blue is the debut studio album, recorded for the Bethlehem label in late 1957 and released in February 1959. It contains the biggest hit that Bethlehem Records had during its existence, the Gershwin ballad \"I Loves You, Porgy\". It also contains the song \"My Baby Just Cares For Me\", which became a hit in the mid 80's generated by an animated music video heavily played on MTV. \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Primitiv","offers":[{"title":"Default Title","offer_id":40736826359888,"sku":"radiation","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/ninas.jpg?v=1715869519"},{"product_id":"sade-the-best-of-sade-lp","title":"Sade \"The Best of Sade\" LP","description":"\u003cp\u003e180 gram vinyl. \u003c\/p\u003e\n\u003cp\u003eThe Best of Sade is the first greatest hits album by vocalist Sade Adu and her band. It was originally released in November 1994. By Epic Records. Sade formed in London in 1982. However, three of their members were originally from Kingston upon Hull in the East Riding of Yorkshire. Their music features elements of soul, R\u0026amp;B, jazz, soft rock, and funk.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":40810791731280,"sku":"amsdrop","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/sadebestof.jpg?v=1719334964"},{"product_id":"charles-bradley-and-his-extraordinaires-live-at-paredes-de-coura-festival-portugal-lp","title":"Charles Bradley and His Extraordinaires \"Live At Paredes De Coura Festival Portugal\" LP","description":"\u003cp\u003eLive At Paredes De Coura Festival Portugal August 21\/08\/2015\u003c\/p\u003e\n\u003c!----\u003e","brand":"Confident Pigeon","offers":[{"title":"Default Title","offer_id":40836772823120,"sku":"sonardrop","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/charl_b20a4a3e-2c7e-4256-9d8e-92749f02f421.webp?v=1720613332"},{"product_id":"serge-gainsbourg-anna-lp","title":"Serge Gainsbourg \"Anna\" LP","description":"\u003cp\u003eSongs and interstitials from the film.\u003c\/p\u003e\n\u003cp\u003eWhite Marble vinyl! French pressing.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Fan Club","offers":[{"title":"Default Title","offer_id":40837887033424,"sku":"","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/anna_740x_874907fd-aec9-42c8-aa02-a07d951c9232.webp?v=1720653618"},{"product_id":"ornette-coleman-trio-the-scandinavian-broadcast-lp","title":"Ornette Coleman Trio \"The Scandinavian Broadcast\" LP","description":"\u003cp\u003eImprovisational sax giant Ornette Coleman was one of the principal founders of free jazz. Recorded in Copenhagen on 30 November 1965, Live at the Tivoli finds an unfettered Coleman blowing fiery peaks as drummer Charles Moffett and bassist David Izenzon provide an inobtrusive backing, Moffett locking into the groove on \"Lonely Woman\" and Izenzon offering a meandering melody on \"Clergyman's Dream.\" Moffett's fine solo shows what he's made of on \"Sadness,\" and on \"Falling Stars,\" Coleman wreaks havoc on violin before blowing blue shades on the trumpet. Another excellent Ornette Coleman listening experience!\u003c\/p\u003e","brand":"Survival Research","offers":[{"title":"Default Title","offer_id":40940392644688,"sku":"radiation","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/ornettetrio.jpg?v=1727887165"},{"product_id":"pharoah-sanders-wisdom-through-music-lp","title":"Pharoah Sanders \"Wisdom Through Music\" LP","description":"\u003cp\u003eWisdom Through Music is an album by saxophonist Pharoah Sanders. It was recorded in New York City and Los Angeles, California, and was released in 1973 by Impulse! Records. On the album, Sanders is joined by flutist James Branch, pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionists Badal Roy, James Mtume, and Lawrence Killian. The most notable track is \"High Life,\" on which Sanders emulates the West African style of music with roiling, celebratory drumming and singing, and killer flute playing.\u003c\/p\u003e","brand":"Endless Happiness","offers":[{"title":"Default Title","offer_id":40940393660496,"sku":"radiation","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/wisom.webp?v=1727887388"},{"product_id":"v-a-wild-chile-a-collection-of-rare-and-wild-60s-chilean-rock-n-roll-lp","title":"V\/A \"Wild Chile! A Collection of Rare and Wild 60's Chilean Rock 'N' Roll\" LP","description":"\u003cp\u003e\u003cbr\u003e2024 repress. A collection of rare and wild '60s Chilean rock n' roll. Time to celebrate! Here's a new installment of the Wild series, focused on wild, untamed Latin American rock n' roll from the '60s. This time Pinche Discos takes you to the beautiful land of Chile for a rollercoaster of wild sounds and smashing and obscure hits. In Wild Chile! you'll find, of course, wild rock n' roll but also crazed out twist, soul stompers, and a few fiery Instrumentals to boot. If you know the previous two volumes of this series you know what to expect: a record perfectly designed to make your next party explode, pure dynamite! Features Willy Monti \u0026amp; Los Tiburones, Los Atomos, Pepe Pato \u0026amp; Los Stereos, Los Primos, The Blue Splendor, Alan Y Sus Bates, Los Harmonic's, Los Caporales, Los Stereos, Flash Galindez, Los Beat 4, The Ramblers, Los Minimas, and Los Diablos Azules.\u003c\/p\u003e","brand":"Pinche Discos","offers":[{"title":"Default Title","offer_id":40966384386128,"sku":"sonardrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/wild.jpg?v=1730081306"},{"product_id":"van-zandt-townes-no-deeper-blue-lp","title":"Van Zandt, Townes \"No Deeper Blue\" LP","description":"\u003cp\u003eTHIS IS A PREORDER. IT SHIPS DECEMBER\u003c\/p\u003e\n\u003cp\u003eAny orders containing a \"Pre-Order\" item will ship together when the pre-order ships. Please make a separate order if you wish to receive non pre-order items before the pre-order ship date.\u003c\/p\u003e\n\u003cp\u003eVan Zandt's subject matter had not changed much in the seven years between recordings, as was apparent only a few lines into the leadoff track, 'A Song For,' when Van Zandt spoke-sang, 'I'm weak and I'm weary of sorrow.' In fact, he wasn't weary of enumerating the causes of sorrow, as was proven especially in 'Marie,' sung in the voice of a derelict whose life gets worse and worse until his pregnant girlfriend dies. Songs like that were typical of Van Zandt, but this time he also displayed an unusual range, from the scary, calypso-like song of temptation 'The Hole' to the weird tall tale of 'Billy, Boney and Ma' in which a man and a skeleton turn to a life of crime, demonstrating Van Zandt's humorous side. Van Zandt even found room for two lullabies. Musically, the album, which was recorded in Ireland and produced by Philip Donnelly, who also played guitar, benefited from an unusually varied group of styles, from the Chicago blues of 'Goin' Down to Memphis' to the Memphis rockabilly of 'Gone Too Long,' with a strong complement of Irish-flavored tunes played on such traditional instruments as uilleann pipes and tin whistle. The diverse musical styles made the album Van Zandt's most listenable, even when the lyrics were at their most desperate. By 1994, after a stream of live re-recordings of his older material, Van Zandt had begun to seem like a songwriter whose best songs, good as they were, were behind him. No Deeper Blue demonstrated that the muse was still with him.\"—AllMusic. First time LP release pressed on lemon yellow vinyl.\u003c\/p\u003e","brand":"Fat Possum","offers":[{"title":"Default Title","offer_id":40976010412112,"sku":"midheaven","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/nodeeper.jpg?v=1730911205"},{"product_id":"babla-bablas-disco-sensation-lp","title":"Babla \"Babla's Disco Sensation\" LP","description":"\u003cp\u003eLaxmichand \"Babla\" Shah began his career and a drummer and percussionist on Bollywood soundtracks composed by his older brothers Kalyanji V. Shah and Anandji V. Shah, and then made history through Babla's Disco Sensation, the adventurous disco and synth-pop recasting of popular film hits released by Polydor in the late 1970s. This rare beast kicked off the \"Disco Dandia\" craze and is a total killer from start to finish, the sitar funk grooves and eastern melodies clashing with all kinds of Moog madness. It's a crate-diggers special that was sampled by Metro Area and other\u003c\/p\u003e","brand":"Survival Research","offers":[{"title":"Default Title","offer_id":40976070705232,"sku":"sonardrop","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/babla.jpg?v=1730919015"},{"product_id":"nancy-sinatra-boots-lp","title":"Nancy Sinatra \"Boots\" LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDefinitive reissue of Nancy’s debut album\u003cbr\u003eIncludes the bonus tracks “The City Never Sleeps At Night” and the previously unreleased “For Some”\u003cbr\u003eNewly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin\u003cbr\u003eVinyl pressed at RTI\u003cbr\u003eQ\u0026amp;A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea\u003cbr\u003eNever-before-seen photos from Nancy’s personal archive\u003cbr\u003eBeautifully packaged and expanded gatefold LP featuring a 20–page booklet\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra\u003c\/p\u003e\n\u003cp\u003eThe 1966 million-selling debut LP introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood, and more. The catchy...\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEqual parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time – both in her choices as an artist and as a businesswoman. 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The record (and its follow-up) sparked something of a jazz-strings virus, infecting Nina Simone, Paul Desmond, Clifford Brown, and (later) Miles and Trane. And while the latter entries in that list were clearly bending their arrangements into space-age forms (and the arrangers—Gil Evans, Eric Dolphy—were becoming much hipper), these ubiquitous strings albums established a jazz cliché of sorts. They were a shot for the charts at worst, an attempted reinvigoration of tired easy-listening ear candy at best. How to Rescue Things, landing 15 years into Bill Orcutt's 'rediscovery' years, marks a somewhat tardy entry into the string- sweetening sweepstakes. In a post-chart, post-irony world, no one is going to mistake this as a bid for mainstream ears—nor are too many pop-gobblers going to paste this into their 'Chillax' playlist. With loops of dulcet, birdsong choruses, syrupy strings, and plucked harps clipped from an RCA easy-listening disc, the zombie strings conjure not red leather couches, cotton slankets, and yuzu martinis, but rather a clockwork mortuary, an undead Who-ville and a cigarette butt drowned in bottom-shelf scotch. In contrast to Orcutt's previous reanimation of yesterday's hit parade, How to Rescue Things instead takes as its foundation the oily underbelly of the American songbook, the relentless gears that churn melody into newly consumable and marketable forms—simultaneously ersatz, soothing, and funereal. It's easy to use saccharine, easy-listening settings to deconstruct the romanticism of the past. Yet How to Rescue Things is not an ironic record. True to its title, the transparently corny strings serve not as a meditation on cultural vacuity, but as an attempt to rehabilitate the clichés of the past, 'rescuing' them as improvisational grist for new melodic content. They serve as a harmonic substrate for some of Orcutt's most complex playing, and free him to explore the solo-as-such without the need to imply an underlying tune (unlike Orcutt's previous acoustic explorations of nostalgic song). Orcutt's razor-sharp Fender slices through the satiny settings in angular and unexpected ways, particularly in the final tracks 'Requiem in Dust' and 'The Wild Psalms,' where his double picking swerves into almost Sharrock-ian territory. But ultimately, true to the Parker records that started this whole trope in the first place, Orcutt sticks to a complex yet tonal path throughout, imbuing tracks like 'Not Reconciled' (with its crooned 'Oh my god' and a cheeky 'amen' tacked to the end) with wide-eyed romantic optimism that goes down strange in a deathbed ballad. But ultimately, it's not strange at all. Rather, this palliative track celebrates a necessary, death-defying joy in the face of darkness—whether genuine or performative is unimportant. 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Lyrically, Midnight Marauders finds the group's abstract poetics in excellent form as usual, and Phife is miles ahead of the \"mayor-flavor\" rhymes of \"Can I Kick It\".\u003c\/p\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":41015865213008,"sku":"amsdrop","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/mid.jpg?v=1655068247"},{"product_id":"dolly-parton-jolene-lp","title":"Dolly Parton \"Jolene\" LP","description":"\u003cp\u003eJolene is the thirteenth solo studio album by Dolly Parton. It was released on February 4, 1974. The title track, \"Jolene\", tells the tale of a housewife confronting a beautiful seductress who she believes is having an affair with her husband. 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Acoustic guitars laced with strings and subtle effects, haunting and moody lyrical tales, and epic ballads that rock -- all of them fitting together like an impossible puzzle that most music aficionados of this magical period never knew existed. Stretches of this compilation could accompany an imagined sequel to the Wicker Man film made in Italy!\u003c\/p\u003e\n\u003cp\u003eA mix of relatively unknown and legendary composers of the time are presented here in this incredible package, which has been lovingly assembled to provide the most pleasurable listening experience available. Legends such as Nico Fidenco, Guido \u0026amp; Maurizio De Angelis, Piero Umiliani, and obscure combos like The Sorrows and The Rage Within are included among many other artists that combine to make Pagan Psych-Folk Glam Vocal Sounds of the Italian Cinema an instantly iconic release. Lavish full-color gate-fold jacket collage artwork with still shots from many of the films represented here. 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Taking its title from Robert Wise’s 1959 film noir, Odds Against Tomorrow retrofits familiar folk\/blues forms to the unique sound of Orcutt’s guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOdds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it’s certainly that. With its nods to existing musics, half- step fluctuations, and near-songwriterly manipulations of tension\/release, Odds Against Tomorrow is a rock record — almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt’s living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era’s radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eKallax.\u003cbr\u003e\u003cbr\u003eThree songs (“Odds Against Tomorrow,” “The Writhing Jar,” “Already Old”) are multi-tracked, an innovation that, for guitar buffs familiar with Orcutt’s stripped-down vernacular, jumps out of the grooves like a Les Paul sound-on-sound excursion in 1948, or a Jandek blues rave-up in 1987. Specifically evoking John Lee Hooker’s double-track experiments on 1952’s “Walking the Boogie,” the steady chord vamps of “Odds Against Tomorrow” and “Already Old” form a harmonic turf on which Orcutt solos with lyrical abandon — and while his playing has always earned begrudging respect from any hardened shredders willing to pluck the foam out of their ear canals, even the most strident neck- strangler will steam over his lubricated runs. For the more “contemporary-minded,” “The Writhing Jar”’s crashing overdubs recall the brassy six-string voicings of This Heat or Illitch.\u003cbr\u003e\u003cbr\u003eWith the exception of the unreconstructed Elmore James-isms of “Stray Dog” and the “Layla”-finale-like haze of “All Your Buried Corpses Begin To Speak,” the remaining non-overdubbed tracks dovetail snugly with Orcutt’s previous solo output, reeling gently in a Mazzacane-oid mode (“The Sun and its Horizon,” “The Conversion Experience,” “Judith Reconsidered,” “Man Dies”) or vibing up the standards (“Moon River”). On their own, these tracks would still be an important contribution to Orcutt’s canon. As part of Odds Against Tomorrow’s greater whole, they provide a through line, connecting the idiosyncrasies of Orcutt’s past explorations with the scrambled tropes of his present work.\u003cbr\u003e\u003cbr\u003eOdds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction. 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Jazz could be heard on the streets of Split way back in 1919 when dancing became a symbol of freedom. Radio was the most loved household item, newest sheet music was in demand and collecting records was hip like today. In the aftermath of Second World War, jazz went underground but little by little, things changed and Ella, Satchmo, Dizzy and Miles came to visit, among others. Music festivals shaped the music for entertainment and variety of popular styles showed influences from all over the world. In the early sixties, one particular rhythm crashed on the coast of the Adriatic Sea: the rhythm of bossa nova!\u003c\/p\u003e\n\u003cp\u003eIn the whirlwind of various musical styles, Latin American music still played important part of the scene in the early sixties Yugoslavia. Beguine, tango, rhumba, samba, calypso, mambo and cha-cha-cha all found their place on the festivals inspired by famous Sanremo, festival of Italian popular song that largely shaped the musical taste of Europe. It was the era of instrumental rock, R \u0026amp; B and rock'n'roll - sounds of \"\"imperialist America\"\" now played freely on imported and hand-made electric guitars. While dancing halls had been turning into concert venues, bossa nova has come! Eydie Gorme with Blame It on the Bossa Nova and Paul Anka with Eso Besso (That Kiss!) tried to make us learn some new dance moves but it was Joao Gilberto's gentle singing and his new way of playing samba songs, along with Tom Jobim's modern dissonant harmonies and poetry of Vinicius de Moraes that created the magic. When American alto saxophonist and flautist Bud Shank visited Zagreb and Ljubljana in 1963 (with Boško Petrović in his quintet) \"\"it was the first time we heard bossa nova!\"\" remembers Stjepan Braco Fučkar. Jugoton, the biggest record company in Yugoslavia, released 4-track EP Bossa Nova by Bogdan Dimitrijević and his ensemble that same year! 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With 'Another Place, he synthesizes the myriad scenes that have recontextualized dub, from the synth-pop of William Onyeabor and Yellow Magic Orchestra to Basic Channels amniotic dub techno.\u003c\/span\u003e\u003c\/p\u003e","brand":"ATO","offers":[{"title":"Default Title","offer_id":41175622156368,"sku":"amsdrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/pach.jpg?v=1747312194"},{"product_id":"hyldon-and-adrian-younge-hyldon-jid023-lp","title":"Hyldon and Adrian Younge \"Hyldon JID023\" LP","description":"\u003cp\u003eYellow vinyl. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHyldon, Brazil's highly revered vocalist, musician and producer, has partnered with Adrian Younge to create a new psychedelic soul album, HYLDON JID023. The duo, highly inspired by Hyldon's seminal work in the '60s and '70s, revisits' the spirit of this epoch while creating a modern-day classic. Hyldon's unique voice and lyrical depth, combined with Younge's innovative analog production, ensures this album will not be forgotten. JID023 is one of the last recordings featuring Hyldon's long-time collaborator and friend, the late drummer Ivan \"Mamao\" Conti of Azymuth.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHyldon, a musical pioneer and early contributor to the \"Black Rio\" movement is a genius in synthesizing the sounds of MPB, Tropicália and Black American R\u0026amp;B. His unique voice, coupled with his rich arrangements and laid-back grooves set him apart from the contemporaries of the time. In '75, his remarkable debut album, Na Rua, Na Chuva, Na Fazenda changed the sound of Brazil forever. Hyldon's earnest and experimental approach in creating that album served as the inspiration for Younge's production on the new JID023. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMonths before Mamão's untimely passing, Adrian Younge and Hyldon invited the legendary drummer to join them at Younge's Linear Labs studio in Los Angeles. Mamão and Hyldon shared a rich musical history - Azymuth, Mamão's group, served as the rhythm section for much of Hyldon's work, including his iconic 1975 LP, Na Rua, Na Chuva, Na Fazenda. Their goal was ambitious: to craft an album that would stand alongside Hyldon's finest achievements, one that would captivate fans who love his unique blend of psychedelic and soulful \"Música Brasileira.\" The result is nothing short of remarkable. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\"Producing a Hyldon album was a dream come true. I've studied his catalog for so many years and highly respect the way he mixed the sound of The Beatles, with that of Marvin Gaye and Tim Maia. I'm still enamored by the fact that he is even a better singer now than he was, in what many deem, his prime. Also, we greatly miss our dear friend and contributor Mamão, the late drummer of Azymuth. We dedicated this album to his memory, and we wish he could have had the chance to hear the finished album.\" - Adrian Younge \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSongs such as \"Olhos Castanhos\" evoke the ethereal nature of The Beatles \"Strawberry Fields\" as the mellotron flutes and Hyldon's vulnerable performance captivates our hearts. Mamão's gritty and funky drumming on \"Nhanderuvucu (The Creator of God)\" showcase what made him a leading pioneer in Brazil's samba funk scene. 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All told, it succeeds in opening up some new sonic spaces while staying tethered to the intuitive, unique musicality that made them such a sensation from the jump.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Diamond West","offers":[{"title":"Default Title","offer_id":41191293124688,"sku":"amsdrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/budos.jpg?v=1748489619"},{"product_id":"mary-halvorson-about-ghosts-lp","title":"Mary Halvorson \"About Ghosts\" LP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNonesuch Records releases About Ghosts by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on June 13, 2025. The album, produced and mixed by Deerhoof's John Dieterich, features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that also was featured on her critically praised albums Amaryllis, Belladonna, and Cloudward. Amaryllis comprises Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Saxophonists Immanuel Wilkins and Brian Settles join the ensemble on five tunes, including “Carved From,” which is available today. Halvorson’s last three records were named Jazz Album of the Year in DownBeat’s annual Critics Poll, where she was also named Guitarist of the Year in 2023 and 2024. Halvorson and Amaryllis will tour the US in September, with shows in Chicago, Lexington, Bloomington, Cambridge, Philadelphia, Brooklyn, and more; see below for details.\u003c\/p\u003e","brand":"Nonesuch","offers":[{"title":"Default Title","offer_id":41192214495312,"sku":"amsdrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/mary.jpg?v=1748612904"},{"product_id":"koenjihyakkei-live-at-club-goodman-2xlp","title":"Koenjihyakkei \"Live At Club Goodman\" 2xLP","description":"\u003cp\u003e“KOENJIHYAKKEI completely changed the way I look at music.” - MATHCORE INDEX\u003c\/p\u003e\n\u003cp\u003eFollowing the release of their album “Dhorimviskha” (one of Bandcamp Daily’s albums of the year) and during the height of the covid pandemic, Japan’s Koenjihyakkei played a rousing set to an empty Club Goodman and live-streamed their performance around the world. Now, vocalist \/ composer \/ drummer extraordinaire Tatsuya Yoshida has returned to the original recordings, and has meticulously mixed and mastered the concert for a 2025 release. “Live at Club Goodman” delivers over 100 minutes of truly unclassifiable music that blends progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of rock in opposition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227186086\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/skingraftrecords.bandcamp.com\/album\/live-at-club-goodman\"\u003eLive At Club Goodman by Koenjihyakkei 高円寺百景\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eIn the wake of the January 2025 reissue of Koenjihyakkei’s fourth album, The QUIETUS asked “Is Koenjihyakkei’s ”Angherr Shisspa” the greatest Zeuhl album ever made?” Author Warren Hatter\u003cbr\u003econcluded “Tatsuya Yoshida of Ruins' lifelong love of Magma lead him to form the band Koenjihyakkei and their fourth album is the point at which he created something that eclipsed the work of his inspiration”. “Koenjihyakkei is Yoshida’s dream in technicolour. 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The double CD edition adds an additional two tracks, including the live favorite “Classical Music Medley”.\u003c\/p\u003e\n\u003cp\u003e“Not only the most brilliant of all contemporary Japanese bands, but perhaps the greatest group currently operating in the world.\" - ALTERNATIVE PRESS\u003c\/p\u003e\n\u003cp\u003e“Takes punk and prog-rock to the opera house for an immaculately arranged mosh pit.” - NPR\u003c\/p\u003e\n\u003cp\u003e“Rocks with the teeth and the heart to cut through scenes and the overground like a knife.” - PITCHFORK\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Skin Graft","offers":[{"title":"Default Title","offer_id":41192350253136,"sku":"amsdrop","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/liveat.jpg?v=1748622117"},{"product_id":"winehouse-amy-im-no-good-live-at-lollapalooza-2007-lp","title":"Winehouse, Amy \"I'm No Good - Live At Lollapalooza 2007\" LP","description":"\u003cp\u003eBroadcast live at Lollapalooza Festival\u003cbr\u003eAugust 5, 2007 - Grant Park, Chicago, IL, USA\u003c\/p\u003e\n\u003cp\u003eThe 2007 Lollapalooza set from Amy Winehouse didn’t so much unfold as it swayed and lurched its way across Grant Park in a haze of soul and  heartbreak. Amy, ever the reluctant star, delivered a set that managed to feel offhand yet airtight, weaving through her now-classic tracks like “Tears Dry on Their Own,” “Back to Black,” and “Love Is a Losing Game”.  Performed with the cool detachment of someone who’s lived every syllable twice. The set never drifted - every word landed, every pause mattered. She wasn’t trying to prove anything, which made it hit all the harder.\u003c\/p\u003e\n\u003cp\u003eSide two of the set played like a jukebox hijack by a ska-obsessed ghost with impeccable taste. Her takes on “Hey Little Rich Girl” and “You’re Wondering Now” weren’t cute nods—they were full-bodied, brass-laced send-ups that hit with real heft. “Cupid” slinked in all woozy and charming before she dropped into the gut-punch combo of “You Know I’m No Good” and “Me \u0026amp; Mr. Jones,” both delivered with that perfect mix of venom and ache. “Rehab” brought the house down, of course - it had already outgrown her by then.  It was “Valerie” that sealed it, Winehouse joyriding atop powered soul-pop beat like it was the most natural thing in the world.  Motown via Camden Town? Piped through a cracked amp and held together with eyeliner and instinct. A set that didn’t try to be timeless, and therefore was.\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Addicted\u003cbr\u003e2. Just Friends\u003cbr\u003e3. Tears Dry On Their Own\u003cbr\u003e4. He Can Only Hold Her \/ Doo Wop - That Thing (Lauryn Hill cover)\u003cbr\u003e5. Back To Black\u003cbr\u003e6. 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After their remarkable resurgence and 2023's critically acclaimed Zango–their first album in nearly 40 years–SOGOLO proves that their innovative spirit remains as strong as ever.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2765669623\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/w-i-t-c-h.bandcamp.com\/album\/sogolo\"\u003eSOGOLO by WITCH\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eDerived from the Zambian word for “future”, SOGOLO weaves together strains of the garage-infused psych, funk, and rock that WITCH quite literally helped invent back in their 1970s heyday, all while embracing the experimental spirit of the moment. Recorded in Berlin during their whirlwind world tour, SOGOLO brims with urgency, excitement, and discovery, propelled as always by the magnetic presence of frontman Emmanuel ‘Jagari’ Chanda.\u003c\/p\u003e\n\u003cp\u003eThe full story of WITCH is almost too extraordinary to believe. Known as the \"Zambian Beatles,\" they founded the Zamrock movement and released seven albums throughout the 1970s and early '80s. Tragically, the AIDS epidemic brought an end to the Zamrock era, claiming the lives of all original members except Jagari. Their music was reissued in 2012, sparking a global rediscovery that led to their triumphant return. Zango was met with rapturous acclaim, including a major New York Times profile, sold-out world tours, and an award-winning documentary that screened globally.\u003c\/p\u003e\n\u003cp\u003eWith SOGOLO, WITCH reaffirm that their creative fire still burns bright, proving their legacy is far from finished.\u003c\/p\u003e","brand":"Partisan","offers":[{"title":"Default Title","offer_id":41199046361168,"sku":"amsdrop","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/sogo.jpg?v=1749385332"},{"product_id":"jeremiah-chiu-and-marta-sofia-honer-different-rooms-lp","title":"Jeremiah Chiu and Marta Sofia Honer \"Different Rooms\" LP","description":"\u003cp\u003e\"Different Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2565077275\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/different-rooms\"\u003eDifferent Rooms by Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003eIn our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, however, marks an evolution in our approach to studio production.\u003c\/p\u003e\n\u003cp\u003eOur studios are side-by-side. When we were writing this album, you might have found us tracking viola stacks in one studio while, in the other, we were writing through-composed themes and rearranging the material. Granular synthesis and tape manipulation are key tools we use to create variation and movement in a composition. This process often yields surprising results, capturing the emotion but expressing it in unexpected ways. It feels essential that we embrace a bit of chance.\"\u003cbr\u003e\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":41201638670416,"sku":"amsdrop","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/honer.jpg?v=1749728631"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/collections\/jaz_soul.jpg?v=1755020922","url":"https:\/\/deadtankrecords.com\/collections\/newest-jazz-soul-blues-vinyl-records.oembed?page=8","provider":"Dead Tank Records","version":"1.0","type":"link"}