{"title":"New Vinyl: World and Folk","description":"\u003cp\u003eShop world and folk music on vinyl and CD, including new releases, reissues, imports, limited pressings, LPs, CDs, and traditional or experimental releases from around the globe.\u003c\/p\u003e","products":[{"product_id":"van-zandt-our-mother-the-mountain-lp","title":"Van Zandt \"Our Mother The Mountain\" LP","description":"\u003cp\u003eOur Mother the Mountain is the second album by country singer\/songwriter Townes Van Zandt released in 1969.  \u003cbr\u003e\u003cbr\u003eTrack listing.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBe Here To Love Me\u003cbr\u003eKathleen\u003cbr\u003eShe Came And Touched Me\u003cbr\u003eLike A Summer Thursday\u003cbr\u003eOur Mother The Mountain\u003cbr\u003eSecond Lover's Song\u003cbr\u003eSt. John The Gambler\u003cbr\u003eTecumseh Valley\u003cbr\u003eSnake Mountain Blues\u003cbr\u003eMy Proud Mountains \u003cbr\u003eWhy She's Acting This Way\u003c\/p\u003e","brand":"Fat Possum","offers":[{"title":"Default Title","offer_id":39651610132560,"sku":"","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/tow.jpg?v=1643636525"},{"product_id":"angel-olsen-big-time-2xlp","title":"Angel Olsen \"Big Time\" 2xLP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003eFresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such a whiplash.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBig Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen’s process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she’d been avoiding for some time. “Finally, at the ripe age of 34, I was free to be me,” she said. Three days later, her father died and shortly after her mother passed away. The shards of this grief—the shortening of her chance to finally be seen more fully by her parents— are scattered throughout the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree weeks after her mother’s funeral she was in the studio, recording this incredibly wise and tender new album. Loss has long been a subject of Olsen’s elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She’s working with an elastic, expansive mastery of her voice—both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.\u003cbr\u003e\u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":39769568936016,"sku":"amsdrop","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/products\/big_33d0d3de-762b-4c16-9639-8b32be101a0d.jpg?v=1654120549"},{"product_id":"van-zandt-townes-no-deeper-blue-lp","title":"Van Zandt, Townes \"No Deeper Blue\" LP","description":"\u003cp\u003eTHIS IS A PREORDER. IT SHIPS DECEMBER\u003c\/p\u003e\n\u003cp\u003eAny orders containing a \"Pre-Order\" item will ship together when the pre-order ships. Please make a separate order if you wish to receive non pre-order items before the pre-order ship date.\u003c\/p\u003e\n\u003cp\u003eVan Zandt's subject matter had not changed much in the seven years between recordings, as was apparent only a few lines into the leadoff track, 'A Song For,' when Van Zandt spoke-sang, 'I'm weak and I'm weary of sorrow.' In fact, he wasn't weary of enumerating the causes of sorrow, as was proven especially in 'Marie,' sung in the voice of a derelict whose life gets worse and worse until his pregnant girlfriend dies. Songs like that were typical of Van Zandt, but this time he also displayed an unusual range, from the scary, calypso-like song of temptation 'The Hole' to the weird tall tale of 'Billy, Boney and Ma' in which a man and a skeleton turn to a life of crime, demonstrating Van Zandt's humorous side. Van Zandt even found room for two lullabies. Musically, the album, which was recorded in Ireland and produced by Philip Donnelly, who also played guitar, benefited from an unusually varied group of styles, from the Chicago blues of 'Goin' Down to Memphis' to the Memphis rockabilly of 'Gone Too Long,' with a strong complement of Irish-flavored tunes played on such traditional instruments as uilleann pipes and tin whistle. The diverse musical styles made the album Van Zandt's most listenable, even when the lyrics were at their most desperate. By 1994, after a stream of live re-recordings of his older material, Van Zandt had begun to seem like a songwriter whose best songs, good as they were, were behind him. No Deeper Blue demonstrated that the muse was still with him.\"—AllMusic. 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He will hit the road on his own, performing solo this winter and early spring at historic music venues across Europe and the US. In conjunction with these much anticipated shows, Isbell will release a new album featuring only his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. These recordings further demonstrate his pure talent as a songwriter and musician. Produced by Gena Johnson and Jason Isbell, and recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ is set to be released on March 7th.\u003c\/p\u003e","brand":"Southeastern","offers":[{"title":"Default Title","offer_id":41054126637136,"sku":"ams","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/foxes.jpg?v=1737040423"},{"product_id":"mumford-and-sons-rushmere-2xlp","title":"Mumford and Sons \"Rushmere\" 2xLP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEco Black vinyl!\u003c\/p\u003e\n\u003cp\u003eMumford \u0026amp; Sons are back with their 5th studio album RUSHMERE, produced by Dave Cobb (Brandi Carlile, Jason Isbell, Sturgill Simpson). 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Which includes all of Marianne Faithfull‘s UK and US hits — “As Tears Go By,” “This Little Bird,” “Summer Nights,” and “Come and Stay With Me.” Bonuses include “In My Time of Sorrow,” an obscure mid-’60s folk-rocker co-written by Jackie DeShannon and Jimmy Page, and her 1969 single “Sister Morphine” (co-written with the Rolling Stones), predating the Sticky Fingers version; it’s easily her most powerful performance of the decade.\u003c\/p\u003e","brand":"Abkco","offers":[{"title":"Default Title","offer_id":41113189908560,"sku":"amsdrop","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/mari.webp?v=1741104901"},{"product_id":"watchhouse-rituals-lp","title":"Watchhouse \"Rituals\" LP","description":"\u003cp\u003eRituals is the 2025 full length album from Watchhouse, the North Carolina based duo of Andrew Marlin and Emily Frantz (formerly Mandolin Orange). This is the first release of all new, original songs since their 2021 self-titled album, which found the duo embracing a new name and a new chapter for the band.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRecorded close to home in 2024 with co-producer Ryan Gustafson (the Dead Tongues), Rituals explores the boundaries between identity and awareness, and how we often confuse our patterns with our truths. The album muses on the endless nature of our evolution, asking questions like: how can we have a positive relationship with change, how can we meet our ends gracefully, and is the world on fire or at home in the sun?\u003c\/p\u003e\n\u003cp\u003eStarting over a decade ago playing coffee shops and local restaurants around North Carolina, Watchhouse is a grassroots success story that's been driven by Marlin's poignant songwriting. 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Featuring intricate acoustic guitar work, jazz-infused arrangements, and Drake’s signature haunting vocals, this record showcases timeless tracks like “At the Chime of a City Clock,” “Northern Sky,” and “Hazey Jane II.” Pressed on high-quality vinyl, Bryter Layter delivers an intimate listening experience with the warm analog sound that audiophiles and collectors deeply appreciate.\u003c\/p\u003e\n\u003cp\u003eA must-have for fans of folk, singer-songwriters, and British psychedelic folk, Bryter Layter has grown in legacy to become a cornerstone of Nick Drake’s short yet influential career. Whether you're expanding your vinyl collection or discovering his music for the first time, this LP offers a rich, emotional journey through introspective lyrics and elegant arrangements. One of the most treasured albums in modern folk history.\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":41184366592080,"sku":"amsdrop","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/bryter.jpg?v=1747833191"},{"product_id":"emahoy-tsege-mariam-gebru-church-of-kidane-mehret-lp","title":"Emahoy Tsege Mariam Gebru - \"Church of Kidane Mehret\" LP","description":"\u003cp\u003eDiscover the spiritual beauty and minimalist elegance of \"Church of Kidane Mehret\" by Emahoy Tsege Mariam Gebru, a rare and intimate piano recording from one of Ethiopia’s most revered composers. This album captures the essence of Emahoy’s deeply personal musical style—rooted in classical tradition, Ethiopian Orthodox spirituality, and contemplative solitude. 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Ideal for collectors of rare Ethiopian music and admirers of artists like Alice Coltrane or Erik Satie, this release highlights Emahoy’s profound legacy as a composer, nun, and visionary artist. \u003c\/p\u003e","brand":"Mississippi","offers":[{"title":"Default Title","offer_id":41185634910288,"sku":"amsdrop","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/churchebru.jpg?v=1747926300"},{"product_id":"dan-reeder-smithereens-lp","title":"Dan Reeder \"Smithereens\" LP","description":"\u003cp\u003eRed and Yellow Splatter vinyl\u003cbr\u003e\u003cbr\u003eDan Reeder's newest album has a whopping 27 songs to sing along to!\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eFuzzyfalafelosophy\u003cbr\u003eSpeed king universal lifestyle\u003cbr\u003eYou don’t have to ask\u003cbr\u003eOld socrates\u003cbr\u003eIt was a party\u003cbr\u003eGin tonic\u003cbr\u003eI’ve got the blues (even though nothing is wrong) fun version\u003cbr\u003eOne of you\u003cbr\u003eHunt a little\u003cbr\u003eForever\u003cbr\u003eFun campfire song\u003cbr\u003eThe best conversations\u003cbr\u003eNine pound hammer \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eThis new band \u003cbr\u003eFuck off\u003cbr\u003eFeather\u003cbr\u003eWhat I was thinking\u003cbr\u003e52 years ago\u003cbr\u003eThis hopeless world\u003cbr\u003eSmithereens\u003cbr\u003e(I ain’t got no) fighting style\u003cbr\u003eBanjoman\u003cbr\u003eBloo you believe in bloo blove\u003cbr\u003eSex is still a mess\u003cbr\u003eMa baby\u003cbr\u003eSkiing song\u003cbr\u003eHungry Heart\u003c\/p\u003e","brand":"Oh Boy","offers":[{"title":"Default Title","offer_id":41282968191056,"sku":"amsdrop","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/danreeder.webp?v=1755007546"},{"product_id":"avett-timothy-seth-as-darling-feathe-lp","title":"Avett, Timothy Seth as Darling \"Feathe\" LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Avett Brothers' Seth Avett's solo project, Timothy Seth Avett as Darling. \u003cbr\u003eAll songs on the album were written and produced by Seth himself.\u003c\/p\u003e\n\u003cp\u003eThe Avett Brothers have received three Grammy nominations, including Best Americana Album (2017) for True Sadness and Best American Roots Performance (2017) for \"Ain't No Man.\"\u003c\/p\u003e","brand":"Thirty Tigers","offers":[{"title":"Default Title","offer_id":41314653339728,"sku":"amsdrop","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/fetahecover.jpg?v=1756377912"},{"product_id":"avett-brothers-the-true-sadness-2xlp","title":"Avett Brothers, The \"True Sadness\" 2xLP","description":"\u003cp\u003eAmerican \u0026amp; Republic Records release The Avett Brothers' 9th studio album, \"True Sadness\", produced by Rick Rubin, on 180g Double LP featuring the debut single \"Ain't No Man\". 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I cannot wait to hear all that he discovers there.” - Gillian Welch\u003c\/p\u003e\n\u003cp\u003e“Hayden Pedigo's acoustic guitar sound is intimate and authentic – it's rooted in tradition but fresh as tomorrow.” - Dr. Demento\u003c\/p\u003e\n\u003cp\u003eSo run the reels of The Happiest Times I Ever Ignored, Pedigo’s sixth studio album (and second for Mexican Summer) in the cinema of your ear; its script written in steel-string, its starring director a 28-year-old performance artist, politician, model, and fingerstyling maestro whose talent is as irrepressible as it is undeniable.\u003c\/p\u003e\n\u003cp\u003ePedigo has lived many lives, having been homeschooled in Amarillo, Texas by his truck-stop preacher father; run for Amarillo City Council in 2019, aged 25—as documented by Jasmine Stodel’s SXSW-premiering, PBS-acquired film Kid Candidate—and struck up pen-friendships and collaborative partnerships with the likes of Terry Allen, Charles Hayward (This Heat), Werner “Zappi” Diermaier (Faust), and Tim Heidecker. A move south from Amarillo to Lubbock in 2020 put a spark to the powder keg of his creativity. “It’s even more flat, desolate, windy and dirty – like being on Mars,” Pedigo observes. “It’s pushed me to create more because there’s not really much to distract.” The move produced not only The Happiest Times and its predecessor Letting Go, but also an Internet presence that showcases a panoply of ever-more outlandish outfits and an effortless deadpan wit. Both the former and the latter helped parlay him into the fashion world, too, having walked the runway for Gucci and been photographed by Hedi Slimane.\u003c\/p\u003e\n\u003cp\u003eInspired by the tragicomedic legacy of National Lampoon co-founder Doug Kenney (in whose notes the line ‘These last few days are amongst the happiest I’ve ever ignored’ was found following his mysterious and untimely death), Pedigo embarked upon The Happiest Times with a no-shit aim: to create “the best instrumental acoustic guitar album of the past twenty years.” Though canonical works of comedy and music show their influence—the mournful beauty of Nick Drake, the puckish abandon of John Fahey—Pedigo by no means places their creators on pedestals; if anything pulling them from their plinths, smashing the alabasters, pocketing some pieces, gluing others back together upside down, or leaving them floating free.\u003c\/p\u003e\n\u003cp\u003eHow might Fahey have played in a Midwest emo band? Pedigo posits on “Nearer, Nearer,” while the specters of Bert Jansch and John Renbourn float somewhere above “Signal of Hope” – “the most British-sounding thing I’ve ever written;” an echo in an empty church. Pedigo flits through the cycle of songs, coiling and uncoiling like the mechanism of a clockwork bird on “When It’s Clear;” rambling, a tiny speck in the landscape, on “Elsewhere.” “Then It’s Gone” stands as stark as a leafless tree, guitar spilling a somber tale in its truest voice – and nowhere more than on the title track is Pedigo’s playing more affecting: regret and optimism balanced on intimate, intricate arrangement, as carefully poised as raindrops on guitar strings.\u003c\/p\u003e\n\u003cp\u003eCiting a “rigid relationship with guitar” in which he has only slices of time to adequately express himself (“I have a five minute window to do something meaningful, and if it doesn’t come within five minutes, then it goes back in the case”), Pedigo wrote each song separately, start to finish, one by one. When an album’s worth of songs had been written, he undertook an intense regime of rehearsal, playing and replaying The Happiest Times on a loop, testing his technical ability, always striving for tighter, purer and more concise iterations.\u003c\/p\u003e\n\u003cp\u003eIn June 2022, Pedigo transported the limbered-up record to Pulp Arts in Gainesville, Florida, where the relentless practice paid off: he played the core acoustic compositions in track order, beginning to end, and by the evening of the first day, realized he’d essentially nailed the record in one go. After tracking the main narrative of the guitar, a studio team of producer Trayer Tryon (Hundred Waters, Moses Sumney) on synths and bass, Luke Schneider (Margo Price, Orville Peck) on pedal steel, and Robert Edmondson on electric bass and piano painted in a sunset of sound behind the acoustic parts, lighting them with a warm glow while allowing them to remain front and center of the scene.\u003c\/p\u003e\n\u003cp\u003eIf the rolling strings of Letting Go planted and germinated the seeds, then The Happiest Times sees Hayden grow the flowers, admire their ruffles, and take newly sharpened scissors to the stems; turmoil and perfectionism and the gods of chaos driving the hand that holds the shears. “I want to create something very melodic, and then put it behind a barbed wire fence,” Hayden reflects. “If you’re gonna get this pretty thing, then you might get cut up trying to get to it.”\u003c\/p\u003e\n\u003cp\u003ePedigo’s particular brand of barb comes in a variety of shapes: the carousel of internet personas that prod and jest (one day a 1970s car salesman, the next perhaps a Burger King attendant or gogo-booted knight); beautiful yet uneasy technicolor album artworks that place him incongruously corpse-painted at a gas station or glowing in ultraviolet on the parking lot of a flaming Walmart; or, in the music itself, pauses which verge on the uncomfortably long while the well-mannered audience member shuffles in their seat, trying to work out whether to clap yet or not.\u003c\/p\u003e\n\u003cp\u003eAt their most profound, Pedigo’s spacious, pristine soundscapes communicate an essential truth about the pursuit of artistic perfection. 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A singular guitarist and voracious musical collaborator, Anderson crafts pieces bursting with equal parts reverence and curiosity, contouring familiar shapes into work that is wholly her own. Anderson has spent decades mining the veins of the complicated, interconnected American folk traditions she was steeped in from a young age, stretching beyond those traditions and incorporating the vocabulary and techniques of vernacular and folk musics from across time and beyond boundary into her work. Eschewing replication or revival, Anderson’s music lives in conversation with tradition. “My approach to tradition is with the hands that I have and the history that I have,” notes Anderson. “In that way it’s a collaboration–you don’t go into collaboration trying to play like the other person, you go in trying to find out how to play together.”\u003c\/p\u003e\n\u003cp\u003eThe Anthology of UnAmerican Folk Music is a collection of nearly one thousand songs culled from the private record collection of the late Harry Smith. Assembled by Anderson after a chance encounter led to an opportunity to study and explore this treasure trove of music, the Anthology focuses on music from places that the United States has been in conflict with since 1970: Southeast Asia, the USSR and the Arabic and Islamic regions of the world. In Volume 1 Anderson presents her own deeply personal iterations of nine songs from the Anthology. Composed, transcribed and arranged through a process of trial and error, deep listening and research, Anderson charts a musical course from Afghanistan to Vietnam via Yemen, Cambodia and Turkmenistan. Interpretations of compositions ranging from Pakistani qawwali to Syrian taqsim are played with Anderson’s deft and practiced hands. Each piece on the album stands as a dialogue between Anderson and the original source recording, refracted through the prism of her own unique musical lens. Anderson’s contribution to this dialogue ultimately invites the listener to join her in asking: “Who are the people we’ve been told in our lifetimes are “unamerican?” What have we lost or been denied access to in the fallout from that label?”\u003c\/p\u003e\n\u003cp\u003eThe ongoing project of the Anthology centers curiosity and a commitment to deep listening as it seeks to build bridges with communities and cultural practices from across the globe. Anderson openly acknowledges the limitations she was working with which include an historic lack of access to traditions outside of US markets and frames of reference, improper documentation within the source material, and the need to operate within a finite amount of time for explorations of vast cultural traditions. For Anderson, these are key pieces to the dialogue. “I am a musician, not an ethnomusicologist, or an anthropologist,” Anderson notes. “I’m curious about how music is made, organized and shared. I am interested in how people and music move across the world, how war, migration, nomadism, colonization and contemporary and historical economic dynamics affect music and musicians. What is the musical relationship of people to place? How is that relationship altered when shifting borders or global conflicts curtail movement or force migration into or away from a place? 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Please place a separate order if you need other items sooner.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThis edition revisits Willis Alan Ramsey’s acclaimed 1972 self-titled debut.\u003c\/li\u003e\n\u003cli\u003eThe album joins laid-back Texas country-rock, blues-inflected folk and outlaw ballads.\u003c\/li\u003e\n\u003cli\u003eFor fans of: Townes Van Zandt, Guy Clark, Jerry Jeff Walker, and Blaze Foley.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eReleased by Antarctica Starts Here on October 16, 2026.\u003c\/p\u003e\u003cp\u003eUPC: 850051035212\u003c\/p\u003e","brand":"Antarctica Starts Here","offers":[{"title":"Default Title","offer_id":42912947634256,"sku":"midheaven","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/150203_main.jpg?v=1788962883"},{"product_id":"ranaldo-lee-the-system-color-vinyl-lp","title":"Ranaldo, Lee \"The System\" (Color Vinyl) LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA quick scan of the world's favorite crowdsourced discography reveals that Sonic Youth co-founder Lee Ranaldo was not a total stranger to crackling electric experimentation in the years following his songwriting turns of the 20-teens.\u003c\/li\u003e\n\u003cli\u003eYet The System, ingeniously culled and sequenced from Ranaldo's soundtrack work for Dutch filmmaker Joris Postema’s \"eco-doc\" of the same name nonetheless feels like a reawakening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFor fans of:\u003c\/strong\u003e folk, acoustic music, country, and songwriter records; synth music, ambient electronics, and experimental sound.\u003c\/p\u003e\n\u003cp\u003eA quick scan of the world's favorite crowdsourced discography reveals that Sonic Youth co-founder Lee Ranaldo was not a total stranger to crackling electric experimentation in the years following his songwriting turns of the 20-teens. 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Watermelon sums up band founder Ethan Miller's long, strange trip from the blown-out Blue Cheer nebula of Comets On Fire, to Howlin Rain's ongoing love letter to ’70's rock radio (and their stint with Rick Rubin's American imprint), then a stopover in the... With Watermelon, Miller has reinvigorated Howlin Rain's ever-changing roster once again, with only drummer Justin Smith from the last couple of lineups, adding Jonny Niemann (keys), Jason Soda (guitar and vocals), Kyre Wilcox (bass and vocals), and notable...\u003c\/p\u003e\u003cp\u003eUPC: 769152435732\u003c\/p\u003e","brand":"Silver Current","offers":[{"title":"Default Title","offer_id":42951545421904,"sku":"midheaven","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/150266_main_00ebd566-f5d3-4504-a482-1ec827470f8e.jpg?v=1789754748"},{"product_id":"j-madden-rum-baba-limited-edition-lp","title":"J. 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IT SHIPS NOVEMBER 2026.\u003c\/strong\u003e\u003cbr\u003eAny orders containing a ‘Pre-Order’ item will ship together when the pre-order ships. 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IT SHIPS NOVEMBER 2026.\u003c\/strong\u003e\u003cbr\u003eAny orders containing a ‘Pre-Order’ item will ship together when the pre-order ships. 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IT SHIPS DECEMBER 2026.\u003c\/strong\u003e\u003cbr\u003eAny orders containing a ‘Pre-Order’ item will ship together when the pre-order ships. Please place a separate order if you need other items sooner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping on or around Dec 4th, 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMayo Thompson's first album devoted to solo guitar.\u003c\/li\u003e\n\u003cli\u003eHis first solo album was 1970's Corky's Debt to His Father.\u003c\/li\u003e\n\u003cli\u003eThe Red Krayola founder returns through Drag City.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFor fans of:\u003c\/strong\u003e The Red Krayola, John Fahey, Derek Bailey\u003c\/p\u003e\n\u003cp\u003eQuiet Days In Cliche distills Thompson's wit and musical curiosity into a new set of solo guitar pieces, extending a career of restless experimentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP. \u003cstrong\u003eLabel:\u003c\/strong\u003e Drag City. \u003cstrong\u003eCatalog:\u003c\/strong\u003e DC 787.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist listening sample: Mayo Thompson\u003c\/strong\u003e\u003cbr\u003eMayo Thompson \"K-Pook\" (Official Music Visualizer)\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" style=\"max-width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/twxaYjw3nQU\" title='Mayo Thompson \"K-Pook\" (Official Music Visualizer)' loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUPC - 781484078715\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":43003224260688,"sku":"midheaven","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/150354_main.jpg?v=1791473231"},{"product_id":"the-kossoy-sisters-bowling-green-and-other-folk-songs-from-the-southern-mountains-70th-anniversary-pink-vinyl-lp-848064021551","title":"The Kossoy Sisters “Bowling Green and Other Folk Songs from the Southern Mountains (70th Anniversary)” (Pink Vinyl) LP","description":"\u003cp\u003e\u003cstrong\u003eTHIS IS A PREORDER. IT SHIPS NOVEMBER 2026.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAny orders containing a \"Pre-Order\" item will ship together when the pre-order ships. Please make a separate order if you wish to receive non pre-order items before the pre-order ship date.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIrene and Ellen Kossoy recorded this debut album in 1956.\u003c\/li\u003e\n\u003cli\u003eErik Darling accompanies the sisters' close harmony singing.\u003c\/li\u003e\n\u003cli\u003eIncludes I'll Fly Away, later featured in O Brother, Where Art Thou?\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFor fans of:\u003c\/strong\u003e The Carter Family, The Louvin Brothers, Jean Ritchie.\u003c\/p\u003e\u003cp\u003eThe Kossoy Sisters bring clear, closely woven harmonies to Appalachian folk songs. Darling's accompaniment gives their voices space, letting the joy and ache in these old songs come through directly.\u003c\/p\u003e\u003cp\u003ePink vinyl.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eListen: Bowling Green\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv style=\"position:relative;padding-bottom:56.25%;height:0;overflow:hidden;max-width:100%;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yOad7gNImac\" title=\"The Kossoy Sisters - Bowling Green\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;border:0;\" loading=\"lazy\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003cp\u003eUPC - 848064021551\u003c\/p\u003e","brand":"Real Gone Music","offers":[{"title":"Default Title","offer_id":43013881921616,"sku":"amsdrop","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/files\/1200x1200bb_714614fc-735b-49a9-8b5d-7432840db897.jpg?v=1791809624"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/4838\/collections\/world_f3616928-8ab1-42c3-bb43-cd0ba18514f6.jpg?v=1761135323","url":"https:\/\/deadtankrecords.com\/collections\/newest-folk-and-world-music.oembed?page=4","provider":"Dead Tank Records","version":"1.0","type":"link"}